B for J (1988)

for mixed ensemble

Scoring

for flute, clarinet (bass), vibraphone, electric organ, trombone (or horn), violin, viola, cello and bass

Duration

5 Minutes

Commissioned by

the Musical Elements Jacob Druckman 60th Birthday Celebration Concert

Performances

Upcoming

Past

All

Past performances are listed in reverse chronological order, with the most recent at the top.

September 1991

Waco, TX 

August 1991

 

Pittsburgh New Music Ensemble

February 1991

Bellingham, WA 

March 1989

Tucson, AZ 

Tucson Symphony Orchestra

August 1988

Aspen, CO 

Aspen Festival Chamber Orchestra

Daniel Asia, conductor

Aspen Music Festival
Aspen, CO 

Tuesday, May 10, 1988

New York, NY 

World Premiere

Musical Elements

Daniel Asia, conductor

92nd Street Y
New York, NY 

Reviews

D. Hagen, Ear Magazine:

B for J, conducted by the composer, Daniel Asia, featured sensitive, finely-wrought melodies.

D. Buckley, Tucson Citizen:

B for J was another highlight of the program. Alternating sections of lyrically composed music for flute and bass clarinet were contrasted with a solo trombone and cushioned by an otherworldly bed of higher strings, synthesized organ and rumbling basses. The work seemed timeless and ethereal and was well-received by the audience.

J. Reel, The Arizona Daily Star:

B for J alternates and combines a pair of simple, even pretty melodies (one for flute and bassoon, the other for trombone) which are given an enigmatically tense accompaniment. The work was immediately likable.

D. Hagen, Ear Magazine:

B for J, conducted by the composer, Daniel Asia, featured sensitive, finely-wrought melodies.

D. Buckley, Tucson Citizen:

B for J was another highlight of the program. Alternating sections of lyrically composed music for flute and bass clarinet were contrasted with a solo trombone and cushioned by an otherworldly bed of higher strings, synthesized organ and rumbling basses. The work seemed timeless and ethereal and was well-received by the audience.

J. Reel, The Arizona Daily Star:

B for J alternates and combines a pair of simple, even pretty melodies (one for flute and bassoon, the other for trombone) which are given an enigmatically tense accompaniment. The work was immediately likable.

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